Latest From This Author
“Emilia Perez” might have the most Oscar nominations, but it’s not No. 1 for this critic.
A robust number of near-experimental documentaries and narratives already call out to us from this year’s lineup, sure to yield a crop of future award winners.
With the audience haunting a sad family through a spirit’s POV, Steven Soderbergh’s latest experiment is ultimately about the never-ending appeal of voyeurism.
Faced with COVID lockdown, two out-of-work actors reach for Shakespeare in an experimental documentary that creates art on the mean streets of GTA’s Los Santos.
The filmmaker invited us to open our minds to the impossible, with movies such as “Blue Velvet” and “Mulholland Drive” that defined an American surrealism.
The Grammy-winning musician SZA makes her screen debut in this funny, shaggy comedy about two L.A. roommates and a bad boyfriend who absconds with their cash.
Filmmaker Leigh Whannell directed 2020’s intriguing “The Invisible Man,” but his latest classic monster redux is a shaggy mess that should have been curbed.
The director’s latest misanthropic drama, following such films as “Bleak Moments” and “Naked,” is a puckeringly sour delight, socked over by Marianne Jean-Baptiste.
Decades after “Barb Wire,” the now-unvarnished star of “Baywatch” shines in a movie directed by Gia Coppola that’s been custom-crafted to show off her talents.
